Habitat: The Underground

Historic TUBE ad

2011-04-04T09:08:00.000-05:00

As seen at the Smithsonian Air and Space Museum in Washington D.C.

WIRED Mag: Feb 2011 issue

2011-03-17T09:40:00.002-05:00

When I glimpsed the headliner of the February 2011 issue of WIRED magazine on the shelf, I had a little quiver of excitement. The mention of anything "underworld" will do that for me.

But the quiver was momentary. As I bee-lined to the mag rack to further inspect, I fully assumed that the issue would be dedicated to, well, I don't know, graphic novel underworlds (perhaps a worthy thing to look into actually) or some random issue with the code name "underworld" that I had no clue about.

Lo and behold.

Lo and behold. The Feb. 2011 issue was really, indeed dedicated to real issues of the "underworld." Not just the physical underworld, my typical arena of focus, but societal underworlds too. Profiles of historic con artists of varying talents, some rather explicit deconstruction of drug trade secrets, a profile of the burgeoning cyber criminal "industry" in Romania and more.

Then there is the Q & A with photographer, Taryn Simon, whose work perhaps can be described as the result of pointing her lens directly on the subconscious of society.

And the piece by writer Erin Biba and photographer Christoph Morlinghaus which, to my mental delight, is focused on the physical underground and provides a nice spectrum of photos to virtually visit various undergrounds on the globe.

Underworld geeks, check it out.

Helsinki's Underground Master Plan

2011-03-09T08:44:00.005-06:00

A lot of recent media on Helsinki's Underground Master Plan

See the plan here

Artful Nudes + Underground Metro Scenery

2011-03-09T01:05:00.001-06:00

Source: stylefile.fr

Google "Jam Abelanet" and "Fantasies Souterraines" and prepare for a rich and artful spread of nudes + metro photography work.

Link to Jam Abelanet's official Fantaisies Souterraines page

Old Germanic Font

2011-01-30T07:19:00.003-06:00

Alexanderplatz, Berlin

2011-01-30T07:17:00.005-06:00

Odeonsplatz

2011-01-05T09:17:00.005-06:00

Munich has a rich bevy of thoughtful subway designs. A visit to Odeonsplatz U-Bahn station marks just the beginning of underground explorations in Munich...

Inspiring civic engagement...on the subway

2010-12-29T09:20:00.004-06:00

Great article on the Design Observer Group's site about one teacher's efforts to inspire civic engagement and journalistic practice among students and citizens alike...on the subways.

Read Article here:

Taking the A-Train

"Much more than we do now, we need to use civic engagement to achieve education goals. Being educated starts with being a citizen of your community. Right now in urban centers across the United States, there is a dearth of motivation and interest among students who believe that so-called "progress in the real world" is disconnected from their classroom experiences."

-Alexander Heffner, Taking the A-Train

I've often mulled over interesting and productive ways to utilize time spent on public transportation. Obvious choices are reading, catching up on your organizer or even just taking a moment to do nothing and rest. But I love this idea of starting a trickle of dialogue among passengers. One thing I thrived on when being a student was that opportunity to connect academic projects to "real world efforts"...to in fact make the project a real world effort.

I hope Heffner's students have a ball with it. Their work would probably certainly make for a great publication....one that would no doubt be a great read for anyone in transit between point a and point b who has some mental time to spare to chew on thoughts about society.

U-Bahn Lorenzkirche, Nürnberg

2010-11-29T07:20:00.004-06:00

Photos by Annika Lundkvist

November 2010

First time heading into the underground layers and levels this time around in Germany. We have been in Bavaria for just over a month now and finally, upon the 3rd visit to Nürnberg, we headed into the Lorenzkirche subway station for a brief visit...

Brutalist Repetition: D.C. Metro

2010-11-29T06:55:00.010-06:00

Graphic of Harry Weese's sketch of vaulted subway station for D.C. transit system

Source: thestatementblog.com

Photos by Annika Lundkvist

February 2010

Harry Weese's (architect) design of the D.C. metro system incorporates a repetition in using the Brutalist style and making extensive use of exposed concrete.

D.C. Underground: More than Metro

2010-10-07T19:27:00.012-05:00

The underground Concourse at the National Gallery of Art in Washington D.C. is a spacious and fluid - an absolutely lovely addition as well as a complete pleasure to move through. I, in fact, moved through it a few times in the span of one late afternoon.

Photos: Annika Lundkvist

Mythical, Military and the Spaces In-Between

2010-05-08T22:24:00.004-05:00

I've been m.i.a. a bit from this blog for a few reasons, the most pertinent one being that my underground explorations have been on hold for many, many months. While I am more than content to plunge through countless pages on the Internet to learn more of underground space developments worldwide and gawk at the varied manifestations of underground architectural imagery, I'm just not satisfied to merely post the slew of images I view. I am keen on seeing them in person, photographing the spaces myself, chatting, when possible, with the individuals who use them on a fairly regular basis.

Alas, I currently live in a region where underground space is simply not a popular commodity, nor where you will find interesting examples of it's use. When life and movement permit me to be in close range to explore these spaces again, I will be ready, camera aimed.

Until then, I just may dedicate a batch of posts to some of the weirder goings on with regards to underground space, namely, the dissemination of information that is, well, plainly weird. When this interest first took hold, I took to the nets to see what was out there and initially only came across a bevy of writings and references to literary works that were fiction? Fact? Who knows. The underground itself immediately connotes a general space that is immediately laden with notions of secrecy, hiding, death, captivity and- survival. The allegories are rich and seemingly endless- much like an impossible labyrinth. I will get to these later.

For now, an image of a space I would like to visit, but obviously chances are slim. NORAD's control room. Tucked deep inside a mountainous terrain, it is, without a doubt, a premier example of the reality of the military's (read: the military of many nations) necessary use of deep underground space, perhaps placing them at the frontier of underground building technology and perhaps even at the forefront of understanding human psychology and capacity to sustain for long periods of time in such space.

Source: Wikimedia Commons

Villa Vals

2010-02-19T14:21:00.005-06:00

Villa Vals in Switzerland.

SeARCH & Christian Müller Architects

Photos: Iwan Baan

Swiss Emergency Call Services

2010-02-11T17:48:00.005-06:00

Absolutely gorgeous. AND it's an Emergency Call Center. Hurrah for creating beautiful spaces for workers in demanding and intensive services.

The historic merit of the space and surrounding buildings led to it's largely underground placement.

Architect: Santiago Calatrava Valls

Image Source (top): unidentified

Photo Source (bottom): galinsky.com

Underground Helsinki

2010-02-08T19:53:00.007-06:00

(Image: Temppeliaukio Church, Helsinki, Credits: Jon Hicks/Corbis, Source: Scandinavia for Design Lovers)

It makes perfect sense that my interest in the underground was born while living in Scandinavia. Stockholm has been referred to as a "swiss cheese" city (due to the plethora of carved out, underground facilities and spaces there) and other Scandinavian cities are host to an impressive range of well designed subsurface spaces.

I have a plethora of articles from the past few decades relating to all things underground...but for here and now, a link to one Finnish based architect posting on "Subterranea Helsinki." The Finnish capital is apparently the first city on the globe to have created an 'underground master plan, so it is one of the most obvious places to look to for pioneering and interesting architectural and planning concepts placed underground.

"Theater in the Rock"

2010-02-06T23:17:00.002-06:00

Theater in the Rock, Tadao Ando

"Valkenburg"

2010-02-03T11:44:00.001-06:00

I quite unfortunately have no source info for the above image. If and when found I will add it. The sole info I currently have attached to the graphic is "Valkenburg"(and it's not the Valkenburg in NL). I suspect it is from an article for a conceptual design for a building in Norway.

Nights with Berliner Unterwelten

2009-09-06T10:53:00.000-05:00

One of the most memorable evenings in my life was spent in the refurbished bunker space of Berliner Unterwelten's headquarters at the Gesundbrunnen subway station. Since it's inception in 1997, the organization has done a tremendous amount of work including: documentation of underground historical structures, conversion of war time bunkers into museum and association headquarter space and guided tours, which have proved very popular. As a "Society for exploration and documentation of subterranean architecture" they are a model organization- definitely for groups dedicated to researching underground space in their city, as well as for a preservation societies. They've honed in on a very specific niche that also does tremendous justice to the extensive underground architecture of Berlin. The organization is prolific in publication and prodigious in activity.

While living in Berlin, attending their meetings was an absolute highlight of my week. To be in a room, for regular meetings, filled with people as passionate about the underground as I was, albeit in different ways, was a great thing.

It's difficult, and not very fun, to imagine being crammed with scores of other people in the bunker space that Berliner Unterwelten's tour guides take you through. The guide will paint a portrait of what this bunker space was like during wartime- a visual that needs to be heard as indeed, that is what the buildings stand as a testament to.

But on a celebratory New Years eve, with candlelit dark spaces , wine, charming music and good company, the atmosphere was just right. In fact, I wasn't terribly keen on leaving. I have clearer appreciation for the bunkers-converted -to-home (or underground "mansion") movement partly due to this time spent at Berliner Unterwelten's headquarters. It's very pleasant, if you're the type who likes this space, and you're there out of your own will and interest.

Fantastical Underworld

2009-07-18T19:16:00.002-05:00

Fantasy and science fiction films are fertile breeding grounds for the imaginings of how the 'Underworld' appears and how humans make use of the underground in, typically, near and distant futures.

My jaw dropped several times in seeing Pan's Labyrinth for the first time. Not only is the film absolutely gorgeous and disturbing at once, it is compellingly dense with mythological allusions. Some of Ofelia's (the main character) key moments- both harrowing and exhilirating, occur in the underworld. Her first challenge of finding a key occurs in the earthy root system of a tree. Her second challenge brings her to the banquet which she must not touch (and possibly before one of the creepiest creatures ever depicted on film). Like Persephone, who having been taken into the realm of Hades, was permitted to leave under the condition that she ate nothing while down there, Ofelia is under similar instructions. Both fail, Persephone with the fated pomegranate seeds and Ofelia with the allure (and consumption) of the grapes. Yet Ofelia's fate is not quite sealed yet and her escape is necessary to bring her full circle to the space of her true belonging.

In the end though, Ofelia's efforts, and apparent rebellion, result in a tragic and quick departure from Earth, as she knew it. They also culminate in her arrival home. She is reunited with those who she descended from and the depiction of this underworld "kingdom" is truly breathtaking.

I for one would like to request a Part II. Ofelia's Beautiful Dark Kingdom.

The Network

2009-06-30T20:44:00.000-05:00

The Setting: A northern Italian town. The Season: Deep Fall. The Reason: Finally (perhaps) meeting a community of like minded folks.

On first impression, the place emanates a grimness, easily attributed to overcast skies and wet, gray Autumn weather. The city also emanates a sort of leanness and sophistication. Nearly everyone seems to be brunette, half of them donning 'architect's glasses.'

But this is not a vacation and I'm not here to log my experience as a tourist. Regrettably, and ironically, the few pictures I am able to capture of the city in my free hours are taken with the wrong light exposure. My photo documentation of these couple of days, to a region hitherto unknown to me, is limited to a few murky shots which seem to exaggerate the a pervasive gray spirit.

But I am thrilled to be here. For the first time ever, I will be surrounded by individuals who have devoted some level of energy to research on issues relevant to 'subsurface space.'

Turin, Italy.

ACUUS's (Associated Research Centers for the Urban Underground Space) 2002 International Conference entitled 'Urban Underground Space: a Resource for Cities.'

A few months earlier, after plucking myself out of the maze of intriguing, yet controversial, mounds of information one can find when searching for information on 'the underground,' I stumbled upon the website for ACUUS. It wasn't so much of a stumble as I was decisively bent on finding some network of individuals out there who were doing real work in the here and now and who might also have some cues to historical precedents for this type of work.

And here it was. Here one was. An official organization united in a mission to further understand and promote development of subsurface space.

The conference, like all their others, was a complete nexus point for ideas and projects spanning, it seemed, every conceivable aspect integral to underground developments. The list of papers to be presented at the conference was staggering in range. Information systems, tunnel construction, architectural renderings, living spaces, ancient spaces, pedestrian spaces, lighting technology, workers safety...the list goes on. All discussion anchored in the common theme of subsurface space. Representatives from Italy, Russia, China, France, Canada, Japan and more.

I had been too timid to submit a paper to present, but I was not timid about pronouncing my reason for being there. I wanted atmosphere. I wanted to see the faces behind all these names of people doing valid and necessary research in the field. And certainly, I wanted to find out, through casual conversation, if I was alone in my thoughts on what was possible in this subsurface sphere.

The conference was, as to be expected, formal but not stodgy. What I hadn't been prepared for was being in a setting largely dominated by older male engineers. In such a setting, your discipline is sometimes your calling card, your focus of research poised to direct conversation further or bring it to a grinding halt. My background, for many of these folks, was a fuzzy “soft science” field; my ideas theoretical, offering no hard facts; my angle “psychological” and certainly a bit left field.

I quickly learned that part of my point of being there was to listen. I was a beginning graduate student, not a professional. I was by far one of the youngest on the scene and my entree into this whole theme had really been by way of speculation and eagerness to uncover architectural renderings from the past that validated that large scale underground models were not confined to science fiction but were real entities. The few architects on the scene were the closest kin I had to speak freely about my ideas and they in turn had fruitful tips and guidance, as well as interesting projects of their own.

The network was there. And vigorous at that. This was perhaps the first, and most important, thing I needed to know.

Book Nook: Waiting for the End of the World, by Richard Ross

2009-06-22T21:19:00.002-05:00

Images of beautifully designed earth sheltered homes as well as rather stunning fully underground architecture are not difficult to find. The photos in Waiting for the End of the World are the subject of a decidedly different bent. They draw quick attention to the near apocalyptic tone and genuine concerns about a nuclear winter which trigger a good deal of discussion on (and construction of) underground shelters.

Images by Richard Ross from Waiting for the End of the World

Published in 2004, the book is mainly a visual spread of photographer Richard Ross's documentation of shelters worldwide. Atmospheres of grim abandonment alternate with thoughtfully lit, inhabited spaces that look- well downright cozy. Ross's photos offer an intriguing spectrum of shelters and their varying uses (or non-uses) today.

Among the features are gorgeous, epic hallways of the Moscow subway system, whose stations doubled as shelters in WW II; a sterile, well maintained and very presentable Swiss shelter, open for the tourist experience; tunnels of Beijing's Underground that alternate, intriguingly, from barren and unoccupied to ornate and inhabited.

Also in the spectrum of shelters spread across the planet are a wildly colorful St. Petersburg nightclub, an Israeli tunnel complex that has served as shelter for both Muslims and Christians and a well maintained, spacious community shelter complex for a group of residents in Montana.

They're all here. They're all underground. And they all feature varying levels of human occupancy, from nil to highly trafficked.

The array and style of fall out shelters portrayed is staggering. The uniformity of subject as shelter makes for a fascinating visual study of the different uses and levels of preservation of these spaces worldwide. Even the person wholly disinterested in the very idea of bomb shelters will look twice and those already drawn to the idea may very well glean some design tips.

The Polar Cities Concept Catalyst

2009-06-20T23:56:00.000-05:00

Thank you Danny Bloom for the references to Habitat: The Underground.

Northward ho blog reference

http://northwardho.blogspot.com/2009/06/habitat-underground-annika-lundkvist.html

Rantrave reference

http://www.rantrave.com/Rave/Habitat-The-Underground-The-Future.aspx

And I must confess, reading about Dan Bloom's "Polar City" concept and seeing Deng Cheng-hong's illustrations, was the catalyst for my joining the blogosphere. View "The Virtual James E. Lovelock Museum of Climate Retreat Living Pod Images" here.

I honestly felt a resurgence of hope in reading about an installation for human living that also involves a strong underground component, projected to be built in an amazing polar site on Earth- Longyearbyen.

Not specifically hope that it would be built- though yes, I do want to see it happen. But more, an excitement that the dialogue persists and ideas for underground architecture manifest in interesting ways. This is important for the present as well as future generations. In the future there will be individuals looking back to the early 21st century to see what kind of interesting concepts we have offered for human living and perhaps even survival. This is also one of many situations where looking to the past is extremely relevant as well. We are not the first to have ideas for underground or unusual living modules (or cities). And there will be more.

The possibility of underground architecture and space evolving requires the contribution of a wide range of folks- architects, engineers, "futurists", environmental psychologists, planners, designers. They're all part of the pie. A vigorous and constructive dialogue amongst these professions, and more, is paramount.

Subterranean Psychology

2009-06-19T15:38:00.000-05:00

“Many of the problems associated with living in subterranean habitats are not technological ones, but rather are related to the degree of social acceptance of the concept and to the individual’s perception of the space.”

-Golany, 1996

(Image from Geo-Space Urban Design, Gideon S. Golany & Toshijo Ojima)

Psychological and physiological issues are not uncommonly cited as one of the “problems” associated with human use of underground space. It is indisputable that technological factors are paramount in the creation of subterranean habitats. As indisputable is the reality that public perception of human's limited role in relation to underground space will persist in the idea of such developments being seen as 'futurist' and visionary or impossible.

Perhaps alongside funding, it is general conceptions of underground space, and notions of where humans are “supposed” to live, that prove to be one of the most constraining factors for acceptance of subterranean models. Fortunately, it seems there is substantial niche interest in subterranean buildings and related projects that would demand a high rate of human occupancy. Marketing these ideas to the masses has never really been a goal anyway.

Moving beyond the psychology of public opinion, however, is the much more relevant range of issues relating to the psychology of actually inhabiting underground space.

Just over 3 decades ago, in 1977, Birger Jansson et al report in Planning of Subsurface Use (Swedish Council for Building Research):

“…there has hardly been any research carried out directly aimed at plotting the implications for human beings of spending time and working underground….

it can be stated that the physiological effect on the human organism of time spent underground has been investigated to a very incomplete extent.”

Such statements can be found mirrored in numerous books and papers devoted to planning and design for the underground since this publication in the seventies.

Research has been conducted in specific niches concerning issues of safety as well as the various physiological and psychological responses of humans working in windowless and/or underground sites. Yet a greater understanding of different human responses to frequent occupation of a subterranean space is still lacking.

What are these range of effects so key to understanding the capacities of humans in their time spent in underground space?

To name a few, claustrophobia, light sensitivity, general fatigue, eye fatigue, disturbance of circadian rhythms, insomnia, headaches. These are just some of the potential ailments and stressors.

Experimental habitation projects for humans in largely underground facilities would offer not only new models of living (and perhaps survival) but also a critical move forward in understanding the rhythm, psyche and physical response of humans in this space. This could serve to further enrich the marriage of underground design concepts with understanding of human psychology, and sometimes complex response, in subterranean space.

Who wants to talk about the dark?

2009-06-18T20:40:00.001-05:00

What makes you tick? Really truly turns your mind on?

Many of the speculations, perspectives and projects devoted to the relationship of humans and underground space provide the electricity that powers one of the brightest light bulbs of my mind. I don't currently work in any industry that deals with the underground, so I suppose you can say this is a passion, a hobby of thought.

There will be many more entries and they will address real earthly like concerns and constructions. But for now, it's about why I am taking the time to write this. And why and who you the readers are. Perhaps my particular bent on the issue will help you determine whether you continue to follow these entries. Perhaps not. In any case, I am well aware that my perspective usually draws only a specific minority.

Underground homes. Its not something for the masses. Correct.

Most people do not want to live, work or spend any more time than absolutely necessary (for whatever weird reason) underground. Correct.

If you agree with any of these statements, congratulations. You are probably right.

And you probably will not find anything of interest in the following entries, except ideas to protest and balk at as unrealistic.

I address all of this in the beginning of this blog because at some point in my life I had to determine where my energies lay. And I concluded it was not in debating with the naysayers who believe that underground space is an abomination and no human belongs there except maybe to take a subway ride.

There are ample souls who are compelled enough by this idea that part of their life's work is researching, preserving, designing or refurbishing underground spaces for human occupancy. At some point, it became clear to me that there was enough activity out there to prove that I was not alone and there was much work to be done.

In rough statistics, for every ten people I meet, there were nine who thought the very notion of “underground space” for humans was appalling and weird, and one who said “Sign me up.”

The latter did not have acute allergies to sun or society. But something about a well designed, human manufactured, windowless space, appealed to them. If I was crazy, so were they, and that was ok.

But in reality, it's not so crazy. In my defensive days I deplored of people who balked at the very concept of humans using underground space to think of the various windowless spaces that they willingly inhabited , even if for a brief period of time. Cinemas. Museums. Libraries. Transportation networks.

Still, perhaps, that is not enough.

So, if you do not believe in the Underground, have no sense that it plays a critical role in humans real and mythological founding of space, we are still on the surface and there's the door.

Myth in the beginning

2009-06-17T17:21:00.000-05:00

"They choose the path where no-one goes."

No Quarter, Led Zeppelin

Pinpointing why and when my interest in this theme was born brings me back to one of my earliest loves. Mythology. In my early teens I developed a rather poetic fixation with the mythological character Hades. I hunted through texts for some description of his underworld lair, determined to find descriptions that matched my imaginings. It was the realm of the dead but also the home of a major deity from a fantastical world. Surely there were massive grottoes and underground lakes with water glistening a surreal light. Massive stone thrones for the deity and his consort and of course, natural jewels in the rough abounding everywhere. Thousands of candles lighting the passages and a design scheme that was part Clan-of-the-Cave-Bear and part Underground Deluxe.

I have not yet found the mythological text to match my mind's creation, but depictions in film and other sources have satisfied me well enough. Embarking on a definitive study of the depiction of the underworld in all world mythologies I have not done. Such a study would no doubt bring added glee and relief . I cannot be the only one with such dreams.

The first clear memory, that is connected to an actual space, is of navigating an underground shopping arcade with my family in Hong Kong. I had marveled on the dense urbanity of this place since we arrived and on this hot summer day, the cool retreat of well ordered passages simply made sense. But this was just the surface.....

Fast forward to about a decade later. I'm sitting before my computer. The shopping arcade in Hong Kong is nowhere on my mind. Nor is Hades (at least not on the forefront). I am about to begin a casual digging about online for information on 'the underground.' Serious research would come later. This is, after all, my preparatory step for the production of an academic text. But to begin with, I wanted to simply have fun seeing what was 'out there.'

I was readily and willingly lost for a brief period of time in the abundance of rather bizarre information relating to Underground Space. The Hollow Earth theory, numerous conspiracies about military bases, tunnel networks. The inevitable connections made, in modern and ancient day, about ET's and their operations down under. Numerous threads and publications relating to occult-like or doomsday activity in connection with the underground were too numerous to pore through. As well as distracting.

I had to reel back after a while and remember my objective and buckle down. What I was looking for was evidence and research relating to concrete and real developments in the underground by the hand of humans. Actual buildings. Actual findings. Actual space.

Looking back its no surprise I stumbled on this track to begin with. Besides having been, at the time, not very skilled in precise keyword searches that would allow immediately findings of the type I was looking for (which were soon to come), the reality is that Science Fiction and Fantasy realms are rife with depictions of underground space. The catalogue of underground space created by humans is vast and intriguing, as much so as what the mind of humans perceives our relation to this space to be.